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Category Archives: Reviews

Review: Norah Jones, Little Broken Hearts (2012)

“Good morn­ing,” Norah Jones’ sul­try voice opens before con­tin­u­ing “my thoughts on leaving/are back on the table.” Instantly the mood is set — this isn’t just anoth­er dose of enjoy­able gener­ic diet jazz, this is real.

Little Broken Hearts is a record about love, loss, anguish, heartache, infi­deli­ty, and revenge. Over the course of the album’s 12 tracks, Jones cap­tures to per­fec­tion the melt­ing pot of emo­tions left in the wake of her recent breakup. The elo­quent pro­duc­tion cour­tesy of Brian Burton (aka Danger Mouse), who shares writer and com­pos­er cred­its, gives air and space to Jones’ emo­tion­al vocals.

Norah Jones became a house­hold name when her debut album hit store shelves in ear­ly 2002. Jones fol­lowed up her debut with a string of pleas­ing, if some­what gener­ic, releas­es in the same vein — until she shook things up a bit with 2009’s The Fall, an album that showed a lot of poten­tial, but not a lot of consistency.

With Little Broken Hearts Norah Jones has cre­at­ed an album that more than deliv­ers on the promise of The Fall — and arguable also the most imme­di­ate, inti­mate, and evoca­tive descrip­tion of the end of a rela­tion­ship on record. 5.0 out of 5.0 stars

Review: Ryan Adams, Ashes & Fire (2011)

Sober, mar­ried, relo­cat­ed to L.A. and back from a three-year hia­tus, singer/songwriter Ryan Adams gives us his first album of new­ly record­ed mate­r­i­al since 2008’s Cardinology and his first real solo album since Love is Hell.

Ashes & Fire feels like the newest entry in the line of acousti­cal­ly dri­ven releas­es that cat­a­pult­ed him to star­dom, but unsur­pris­ing­ly, Adams is more mature and more pro­fes­sion­al than ever before; gone are the self-pity­ing dirges of Heartbreaker and the indul­gent excess of Gold. The Cardinals helped rein in these ten­den­cies, but here Adams does­n’t even seem tempted.

Ashes & Fire is sim­ply his most coher­ent album yet, musi­cal­ly and the­mat­i­cal­ly. The imagery has moved to the west coast — and every­thing is a lit­tle hot­ter for it — and the lyrics are filled of the type of ret­ro­spec­tive nos­tal­gia that only comes from look­ing at the past not as bet­ter or worse, but different.

With Ashes & Fire, Adams has struck a del­i­cate bal­ance between going back to his singer/songwriter roots and start­ing fresh, and in doing so has cre­at­ed an evo­lu­tion­ary mas­ter­piece that feels both sur­pris­ing­ly new and com­fort­ing­ly famil­iar — prob­a­bly not unlike Adams’ own place in life. 4.5 out of 5.0 stars

Review: U2, Rattle and Hum (1988)

“This song Charles Manson stole from the Beatles…we’re steal­ing it back!” Bono shouts when you drop the nee­dle on U2’s Rattle and Hum. The 1988 album, record­ed main­ly dur­ing the band’s final North American leg of their 1987 tour to pro­mote The Joshua Tree, con­sists of live and stu­dio record­ings, orig­i­nals and cov­er versions.

Clearly affect­ed by the band’s love/hate rela­tion­ship with the coun­try they’ve toured so exten­sive­ly, the album is an eclec­tic mix of sta­di­um rock anthems infused with blues and gospel. Over the course of the album’s 72 min­utes, U2 name check American jazz greats, write a sequel to a Lennon song, reclaim a Beatles song, duet with B.B King, and even sam­ple Jimi Hendrix.

But it could nev­er have been any oth­er way; this is the sto­ry of the new­ly crowned kings of rock, tour­ing God’s own coun­try in wide-eyed bewil­der­ment. Rattle and Hum is a both hum­ble and pre­ten­tious homage to America’s great­est artists, a snap­shot of a con­fus­ing phys­i­cal and spir­i­tu­al jour­ney, but more than that, it puts you on tour with one of the world’s great­est rock bands. 4.0 out of 5.0 stars